Monday, May 3, 2010

Honorable Mentions of 2009

Well hello there! As I stated in my last "real" blog post, i would be doing a follow up to my best of 2009 post. This post will contain albums that i didn't listen to enough or just plain forgot to cover in the “Best of 2009” post. As I also mentioned, I’m not going to do full write ups of the the albums. Just album and link. Maybe ill put genre tags for good measure. Enjoy shit i should've written about already! haha.
Them Crooked Vultures – Self Titled
stoner rock/metal, neo-classic rock, alternative rock
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Download The Album Here
Bygones – By-
instrumental math rock, experimental, noise
by_hi
Download The Album Here
Narrows – New Distances
metalcore, math metal
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Download The Album Here
Saxon Shore – It Doesn't Matter
instrumental post rock
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Download The Album Here
Dinosaur Jr. – Farm
Alternative Rock, Indie Rock
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Download The Album Here
Toe – For Long Tomorrow
post rock, instrumental rock, indie rock
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Download The Album Here
Polar Bear Club – Chasing Hamburg
post hardcore, emo, indie rock, alternative rock
pbc
Download The Album Here
Victor Villarreal – Alive
Indie Rock, Acoustic, Singer/Songwriter
alive
Download The Album Here
Kalpana – Teeth On The Wheel
Post rock, Indie rock, Space rock
Kalpana - Teeth on the Wheel
Download The Album Here
Converge – Axe To Fall
math metal, metalcore
converge
Download The Album Here
Maserati – Passages
Post Rock, Instrumental Rock, Experimental Rock
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Download The Album Here
El Grupo Nuevo de Omar Rodriguez Lopez – Cryptomnesia
Experimental Rock, Neo-Progressive Rock, Alternative Rock
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Download The Album Here
Do Make Say Think – Other Truths
Post Rock, Indie Rock, Alternative Rock
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Download The Album Here
Built To Spill – There Is No Enemy
Indie Rock, Alternative Rock
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Download The Album Here
Young Widows – Split Series
Post Hardcore, Noise Rock, Alternative Rock
youngwid
Download Them Here
As always, if you enjoy the music you've heard, please seek it out and buy it! I cant stress this enough!

Thursday, March 18, 2010

My “Best Of” 2009

so let me just begin this post by saying that I have never done anything this ambitious in ANY of my previous posts. The idea of reviewing a bunch of albums in one post still seems kind of unbelievable to me. I don't know how its going to work out. Some of this might surprise you. Just a few quick notes. These are not going to be arranged by date of release, personal importance to me or anything else. I’m just going to write about what comes to my mind, when it comes to my mind. And I’m going to try to keep the write ups MUCH shorter than usual. Its also probably guaranteed that I will forget some important releases. I apologize in advance for that. here we go…

FULL LENGTH

Coalesce – OX
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The first album I’m going to tackle, and one that I was very excited about when it came out, is Coalesce’s “Ox”. This album was their return to the scene, as it were, after they released the really good Salt And Passage 7inch in 2007 and that was it until this album’s release. What I love about this album is that, despite a few minor tweaks and adages to their sound, this is the Coalesce of old. Often bands get old and they sell out. And that doesn't always refer to major label kind of talks. They sell out their sound and what fans expect to hear them play. Coalesce doesn't disappoint. The math metal/core/whatever is still hard and heavy. All over the place. Sean Ingram’s voice is as brutal as ever. This was the type of release that when we fans heard it, we were so excited. Because the quality of the output is stupendous. If you are into bands like Botch, Converge, Dillinger Escape Plan, etc., why the fuck haven't you heard this album yet? Why don't you own and love this album? Get on top of that quick, okay?
Download The Album Here
The Mercury Program – Chez Viking
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The Mercury Program had been gone for a VERY long time. How long? Well, the last release they were a part of was 2003’s “Confines Of Heat” Split with Maserati and their last release was “A Data Learn The Language”in 2002. So yeah, i wasn't shitting you. All through out that time there were constant rumors of the band’s demise. I myself didn't know what was going on. But the main reason that there wasn’t any recorded output from the band was because their past label’s had all crumbled and they didn't have a label. This album was actually recorded for quite awhile, and Lovitt records was nice enough to step up and release it. THANK YOU! The Mercury Program are undeniably influenced by the Tortoise post rock sound, but they have their own sound. Often, heavier with more complex drumming and delayed guitar parts reminiscent of The Edge from Joshua Tree era U2. Its great that after all this time the album still sounds fresh. I’m really hoping this is the beginning of a lot of future releases by the band on their new label.
Download The Album Here
Zombi – Spirit Animal
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I love horror movies. I don't really think that the average reader of this blog, that doesn't know me, would know that. The majority of horror movies I like are not the new crap that is coming out, but the older stuff. So what does anything of this have to do with the band Zombi? Back in the 70’s & 80’s there was a band called Goblin. Goblin played a style of music that you could described as horror prog. They did the music to such horror gems at Dawn of the Dead, Suspiria, and many others. Zombi is directly influenced by Goblin and sound like the next logical step in that type of music. They also sound like they are greatly influenced by Rush and Peter Gaberial era Genesis. Especially on this record. The band is a duo. And its rad that they can create music of this caliber with only two musicians contributing ideas. The live make up of the band features a keyboardist and a drummer, who also happens to play keyboards live. If you like any of the artists i mentioned in this article, definitely check out Zombi. Horror Prog bro, horror prog.
Download The Album Here
Baroness – Blue Album
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Baroness is a new band for me. I know, I know. I’m behind the times. I heard their “Red Album” for the first time this summer. I listened to Baroness enough through out the summer that I was anticipating the release of this album. Baroness plays a awesome style of psychedelic rock influenced metal. I don't really know this kind of music, because i don't listen to much metal and things of that nature. All i can say is, when i hear something i like, i like it. While this record doesn't beat their Red Album, the bottom line is, there is some really awesome music contained on this record. The drummer of Baroness is outrageous. He has a way of playing parts that are different and adventurous without seeming out of place. The drums on “The Sweetest Curse” (the second song on the record. the first being “Bullhead’s Pslam” which is more of a intro/opener) are a key example of how he is able to write something off kilter and different and still give that song the drive and push to have it rock the fuck out. The album just rocks all together. Fans of Torche, Mastodon, etc. should be down with this. But they probably already know about them. Also, their album artwork is rad and looks like old Ice Age era magic the gathering cards. haha.
Download The Album Here
Castevet – Summer Fences
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The first time I became aware of Castevet was when I came upon their “I Know What A Lion Is” EP/Demo last winter. Right around the time I found their EP, I heard about them releasing a future full length. Summer Fences is that full length. I was/am really excited on the band.  They play indie rock/post hardcore in the vain of the Kinsella brothers musical legacy. You know what i mean. Bands like, Cap’n Jazz, American Football, Owls, Ghosts and Vodka, etc. Not to mention the numerous other bands that have been influenced by those Chicago music royalty. Castevet is a bit different than say a Algernon Cadwallader though. Because there is definitely more of a hardcore influence to their music style. The singing is gruff and often time brutal. But the contrast works very well. The music is often really beautiful and pretty sounding, and that counteracts the hard singing. The 3 songs that appeared on their EP are on this album along with 5 other great songs. I cant say enough good things about this band. Anyone into the Chicago sound of indie rock needs to hear these guys!
Download The Album Here
Mission Of Burma - The Sound The Speed The Light
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I don't have any tattoos. But I’ve had two ideas for tattoos in mind for years, and someday i hope to get at least one of them. One of them is a Mission of Burma tattoo based off of the artwork of their “Signals, Calls and Marches” EP. In other words, they are a VERY important band to me. I think in general, they are a very important band for the history of music. The band disbanded in the early 80’s and reunited in the early 00’s. Nearly 20 years later. And honestly, Mission Of Burma still destroy fucking everyone. They successfully picked right up where they left off musically in the 80’s when they reunited. Jagged guitar, intricate drumming, strong moving basslines, and intelligent lyrics that the band has come to be known for. They’ve put out two albums before this release since reuniting. And while this album is not as strong as those releases, its a really great album and continues where the band has been going since they’ve reformed. Anyone into post punk should already know about them. But if you don't know, you better ask someone! haha. Believe, you’ll love this!
Download The Album Here
Tortoise - Beacons of Ancestorship
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The year seemed to spawn a lot of albums by bands that hadn't really released anything in awhile. Tortoise is another example in this line. Tortoise continues doing what they do on this album. There’s moments of jazz like jam outs. There is the more electronically based numbers. This is where the band has come to lie musically. And that's no problem. Tortoise are essentially, in my mind at least, the defining band in the Chicago post rock music. And i think the choices that they have made in where to go musically have definitely effected the genre. I just feel like that style and bands who have come after them owe so much to the band. This record is totally understandable to a seasoned listener. But i would suggest anyone just now getting into their work to start further back so you can see where they came from. But who knows, i think this album is definitely good and wouldn't be surprised of having first time listeners of the band falling in love with them.
Download The Album Here

Native – Wrestling Moves
Native - Wrestling Moves
Native is a post hardcore band that has definite math rock influences. To put it simply, they remind me of if the more aggressive moments of At The Drive-In grew up listening to Tera Melos. And with a singer that often times reminds me of my good friend Vic Lazar of Patrons Of Sweet/Knife Crazy fame. I first became aware of them when I listened to their “We Delete; Erase” EP sometime last year. Shit was golden to me. I can honestly admit that I had no clue when they planned on releasing a full length. I was following Sargent House Records on Twitter for awhile (had to unfollow them. i got very sick of all of the “talking up” they did for their releases/bands) and knew they were planning one. But honestly, i guess it slipped my mind. I stumbled upon this one day and was stoked. They don't disappoint. I’ve heard Native recommended for fans of Minus The Bear and These Arms Are Snakes. I don't really hear that at all. I like my description of what the band sounds like. People into the present state of math rock should dig this band pretty hard.
Download The Album Here
 
Mouse On The Keys – An Anxious Object
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I did a sort of brief overview of this band earlier this year. It was the release of this full length that was the driving force behind the article. Mouse on the Keys is an amazingly talented band hailing from Japan. They play a unique style of jazz fusion or nu jazz that has its roots in everything from prog, to funk, to straight up classic jazz. Amazingly talented duo consisting of a pianist and a drummer. And what a fucking drummer this guy is! Listen to the song "Spectres De Mouse.” It destroyed my life the first time I heard the drumline. A lot of times the shit I’ll hear on drums today is inherently ripping off Zach Hill or Damon Che so its great to hear a drummer doing something different.  I can not say enough good things about Mouse On The Keys. This album is their first full length and it immediately followed their “Sezession” EP that came out in 2007. All of this is just unbelievable to me. This band is amazing and I hope keeps churning out awesome music for years and years to come. I also hope they get their asses to the US stat! haha.
Download The Album Here
Polvo – In Prism
Polvo_InPrism_Package
Polvo will end the full lengths released by bands who haven't released anything in a long time. haha. Cause realistically, this is sort of the biggest deal. Not taking away from any of the previous releases I’ve talked about. But here’s the deal. Polvo broke up. They were no longer a band. Then they do a few reunion shows, and next thing you know, they are talking about recording a new album. Mind you, their last release was in 1997. So yeah, we are talking awhile between the two releases. The record is pretty good. I'm not going to rave or anything like that. In some ways i feel like the band has mellowed out. And that's to be expected. None of us are who we were 10 years ago. But idk, i always expect my bands to stay the same. Overall, there seems to be a lot of straight forward stuff on this album. Its not a bad record. But im a dick and was expecting stuff like “exploded drawings”. so fuck me. haha. just listen for yourself. Its not a bad album.
Download The Album Here
Daïtro – Y (possibly my album of the year)
Y
You can read my write up about this album here.
Download The Album Here
Knot Feeder – Light Flares
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You can read my write up about this album here.
Download The Album Here

EP/7inch
Algernon Cadwallader - Fun
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Algernon Cadwallader is a Kinsella band. I’m convinced of it. haha. Their singer is probably the closest thing you will find to a Cap’n Jazz era Tim Kinsella. And the music the band plays sounds like all of the Kinsella bands rolled together. Upbeat and noodlely. I love the band. This is the rerelease of their “Hot Green” EP with some extra songs. For fans of everything kinsella and villarreal.
Download The Album Here
Coalesce – OX EP
Coalesce-Ox-EP
This was a continuation of what Coalesce released on “OX”. The best part of it is that this EP feels like its own thing. It doesn't feel like just left over material from the album. The same sort of awesomeness that is found on the full length can be found here. I bought this the week it came out. And that says something for my broke ass. haha. If you have “OX” you should really have this EP as a companion piece if anything. It just really great.
Download The Album Here
Suis La Lune/Osceola – Split 7inch
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Now i will be completely honest. I didn't have interest in this album because of Osceola. The band isn't bad. But I can honestly admit that this is the first time i ever heard of them and the first time I listened to the band. Once again, that doesn't make them bad at all. But you need to know that, Suis La Lune is my thing. I love that band. “Heir” was probably one of my most played album’s in 2008/2009. And for them, this split continues with their beautiful screamy emo stylings. I cant wait for these guys to put out another full length. “Quiet, Pull The Strings!” is great and all, but they have grown so much since then. Skramz/Real emo fans take note. This 7inch slays overall.
Download The Album Here
Local & Friend’s Bands
Oak & Bone – 7inch
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Oak & Bone have recently sort of blown up. Ex-members of Moth Leads The Empire and Lazy Shell start a band. Band plays together and gets really rad playing a Young Widows meets stoner metal meets Nirvana Bleach era sound. Band gets tight as shit, plays a bunch, and ends up getting signed to Hex records. This is the 7inch they released for Hex Records. This band is one of the best things Syracuse has going for it right now. I don't listen to heavy music, i always say that. But Oak & Bone are heavy as shit and i wouldn't have it any other way.
Download The Album Here
Zona Mexicana – EP
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Zona Mexicana is a amazing band hailing from SUNY Purchase. The band’s claim to fame is that they are ex-Ra Ra Riot. And sadly, that's the worse band of their member’s combined ex’s to reference Zona to. Zona Mexicana plays math rock that is influenced by Tera Melos and that California sound that is sweeping the nation. But there is also a lot taken from screamo bands of the mid 90’s. There are dual screaming/yelling vocals over some increasingly crazy music. The band pulls this all off live in a amazing show. This EP was their first recorded release, and i hope the band continues to put out more great music.
Download The Album Here
Lemuria - Ozzy
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Lemuria is a pop punk/alternative rock band from Buffalo, NY. My old band played with them years ago. And since then, they have really blown up. Overall, I’m happy for them. They are good people who write good songs. This 7inch sees the band continuing musically where they left off with their highly regarded last album “Get Better.” The difference is, these songs are a little bit longer. But the same spunk and songwriting skill are present. 2009 saw a major line up change for the band which leaves me worried, but I’m keeping my ears open to whatever they put out in the future.
Download The Album Here
Urchins Of The Night – Reentry
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Urchins Of The Night are Syracuse royalty hailing from Brooklyn and New Jersery. The first time I heard of this band they were described to me in a way that would later infuriate me. “We The People minus Chuck.” Realistically, this is the easiest way to talk about who is in the band, but not how they sound. After they posted tracks on Myspace I realized how totally off that statement is. Urchins of the Night play a form of punk rock that, to me, seems highly influenced by late 80’s bands like Embrace and Hüsker Dü. I’m sure my description is nowhere near what they are going for but when I heard them for the first time that's what came to my mind. The band IS NOT just We The People minus Chuck. The band is really great at playing their own style of music really well. Get into it!
Download The Album Here
Cicada – EP
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This album was long awaited for me and a lot of other people in the Syracuse music scene. Cicada is just the bee’s knees for me. They’re a metal band who have been compared to bands like Crowbar, Neurosis, and Isis. But to me, they remind me a lot of Baroness. Their dueling guitar leads are what seal the deal for me. This 5 song EP feels more like a full length with how it plays. The songs feel epic, they can change at the drop of a hat and are heavy as shit. I just think these guys are some of the greatest dudes around Syracuse playing some of the most awesome music. If you like any of those bands I mentioned, you should listen to this band.
Download The Album Here
Night Owls – EP
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Night Owls is a Syracuse, NY band that consists of lots of ex and current members of bands that are known and loved in the area. One of my only issues with them comes from people comparing them to Drive Like Jehu. I find this kind of deceptive. But that's not the band's doing. Night Owls plays music torn being post hardcore and punk rock. This EP contains the band’s demo and 3 songs recorded at a later date. My only other issue with this release is that they just used remixes of the demo recordings instead of rerecording them with their new bassist at the time. No biggie really. Idk. Like Hot Snakes? Like the more straight forward Fugazi material?  You will probably love Night Owls.
Download The Album Here
Rejouissance – Moss On Monuments
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Rejouissance is the brain child of Syracuse/Brooklyn musician Jim Heffernan. He’s been in a lot of great bands over the years and Rejouissance is sort of his solo project. The music has changed a lot since that first spray painted CDR. “Moss On Monuments” contains what has become their trademark combination of acoustic meets post hardcore. Thin Lizzy-esc dual guitar lines and all. With Jim enlisting his friends to help play his songs, there have been numerous incarnations of the live Rejouissance band over the years. It is really hard to review this record since I now play in the band and busted my ass to learn every song off this record. But when you get down to it, there are great songs on here by a great songwriter.
Download The Album Here
The Red Robot – Memory
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The Red Robot were the hottest thing to come out of Northern California. At least as far as I knew. Okay, okay. I didn't really know much, if anything, about that scene until I heard these Redding heavyweights. These guys played music in the vain of Fugazi, At The Drive-in, Drive Like Jehu, etc. The band played together for quite a long time and in that time garnered quite the loyal local following. Memory is the bands last album and their swan song if you will. It finds them continuing where they left off on their Self Titled album and has a feeling of a last record. It makes me really sad that The Red Robot called it quits. I wanted them to tour the states and be huge. They were a passionate group of guys who played really great music.
Download The Album Here
All Of Them Witches – Where’s The Song?
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You can read my write up about this album here.
Download The Album Here
Dasha – Damned If We Do
dasha
You can read my write up about this album here.
Download The Album Here
Tailings – Self Titled
Tailings 2
You can read my write up about this album here.
Download The Album Here
Eyes Averted – Self Titled EP
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You can read my write up about this album here.
Download The Album Here
As always, if you enjoy the music you’ve heard, please seek it out and buy it! I cant stress this enough!
Look forward to a follow up “2009 Honorable Mentions” blog, that will strictly be downloads without write ups of albums that didn't make the cut for whatever reason. Also, my deepest apologies for this being so late.

Tuesday, November 17, 2009

The End Of The Year Is Coming Up...

I'm hoping to do at least few more reviews/recommendations in the next few weeks but expect next month to see me write a fairly ambitious "best of" blog. its going to be covering 2009 and my personal faves that have come out this year. I'm going to try to get fairly in depth covering not only national/international bands/albums, but regional acts as well. This is an attempt to share with you readers, from where ever you may be from, a little taste of whats going on musically in my neck of the woods. because lets face it, local bands and artists can often be just as important to a individual as bigger acts. so yes, I've talked it up. haha. be ready to see it. I think some of the stuff might surprise you.

Wednesday, November 11, 2009

Oh, Canada (Part 9): Damages - Scars

The situation leading up to this review was safe to say one of the more awesome things to happen to me since starting my own music blog. as i think a lot of you who read my blog know, i used to write for a blog called Listen To This Once. Well, one of the members of Damages must have been a follower of that blog because I got a message in my myspace inbox asking if i would like to review their latest 7inch for L.T.T.O. I was really excited. No one has ever asked me personally to review their album. Up until this point I’ve just written about bands and albums i just really love. But I was really excited at the possible opportunity. So I told Andrew, from Damages, that that blog no longer existed but that i would be more than happy to write about their EP on here. And they said that was fine. To quote Wayne Campbell, “Excellent!” Now as I said, I'd never heard Damages prior to their offer, but what is so rad is, they are definitely my type of band. Maybe that's why I was asked to review this in the first place. They knew from my track record that I’d love it. Damages hail from Vancouver, British Columbia. But what they sound like, they could easily be confused with something coming out of Ottawa. Maybe in the mid-nineties? Okay, what I’m getting at is that, to me, Damages sounds like a direct musical descendant from Okara, Shotmaker, and the like. And that is honestly a very great thing, because I love those bands. Quick rant. Alot of times really shit bands will list awesome bands as a influences. and you think to yourself the band “Fall Out Boy are a bunch of fucking liars.” Check out the list of influences Damages has listed on their myspace, and know that none of them are bullshit…“Shotmaker, The Jesus Lizard, Swiz, Black Flag, Yaphet Kotto, Unwound, Shellac, Fugazi, 400 Years, Brito, Portraits of Past, Render Useless, Still Life, Embrace, Dischord, SST, Ebullition, Touch and Go” I KNOW RIGHT?! Fucking awesome. The two song “Scars” 7inch is very energetic and heavy. Both of the songs are fast and driving. Side A’s “Gears” starts with screamed/yelled lyrics and fast/dissonant guitar chords. next thing you know the bass kicks in, and it continues from there. If I had to pick one element from this band that is most close to the Shotmaker/Okara comparison, it might be the bass work. The basslines on these two songs are totally awesome. All over the place doing crazy shit, straight forward and heavy when the guitar is doing more intricate lines. The guitar has that buzzsaw sound, and style that you could say was influenced from everything from Shellac to Drive Like Jehu to Fugazi. Like i said, their influences don't lie. “A Failing Cell” on Side B is kindred to the energy of “Gears” but as some more breakdown-y, head bobbing parts. (Hold your horses stupid money grabbing jock hardcore kid. I think the Hatebreed concert is down the street.) It also contains more riff’s, which usually coincide with the aforementioned “breakdowns.” The song soon builds and builds till it hits a point at the end where its like it keeps hitting you in the face repeatedly. This is a good thing. This band is a good band. This EP is a excellent EP. I recommend anyone who is a fan of the brand of canadian post hardcore/mathy emocore/ hardcore/etc. DEFINITELY check this band out. I really love what they are doing musically and hope they continue forward releasing more awesome music. Many thanks to Damages for letting me review their EP!

Tuesday, November 3, 2009

Sorry To Bands and Readers

ive been sick with a upper respiratory infection since last tuesday. im sorry about the lack of reviews and what not but when i wasn't in bed, ive been at work. yes, i worked a week solid sick before going to a doctor. T-U-F-F. I promise once I’m doing better I’ll get on my game. Just started the anti biotics today. So once again, sorry guys.

Tuesday, October 27, 2009

new, interesting blog things

I'm going to be doing some reviews coming up that I'm really excited for. Pretty much because I was asked by the bands to review their albums. And they are bands that I am not friends with already. This never happens. And I'm really excited on the possibilities of this situation. I would hope that anyone that reads my blog knows, if you think I'd dig your band and would like me to review your album, I'm TOTALLY down with that. And the idea actually gets me really excited. I still plan on just writing about whatever I love and feel like talking about but I'm really excited on this new turn of events. :-D

Thursday, October 22, 2009

Tailings - Self Titled


I wrote about Tailings when they first came out (Well, at least when their demo recordings first made their way onto the interwebs) so I find it in special interest to cover their first, and what will be, their only album. I enjoyed Tailings. I consider all of the members of the band to be my friends and I've actually been in musical projects with 2/3 of them. I'll get right into it. I think what Tailings did musically for the scene of Syracuse, NY was very important. But sadly, i think it went unnoticed for the most part. Syracuse is a very big hardcore/metal town. fast beat. breakdown. chug chug. sXe. militant animal rights. "EARTH CRISIS!!!" etc. This is what our underground scene is based off of. And no matter how many bands come out of our scene that DO NOT conform to that standard, and try their hardest to do something else musically that ISN'T hardcore or any sort of core, it doesn't seem to change anything. Tailings were the one of the only indie bands in recent times in Syracuse, and i think historically they are the ONLY indie band to come out of Syracuse to play music in that style. Their music, for me, is reminiscent of bands like June Of 44 (and other ex-Hoover & Rodan "post rock" bands) while the guitar also has a lot of influence from more "pretty" guitar oriented indie bands like American Football and Sharks Keep Moving. Overall, the band's style screams a Chicago/DC bone session. In any given Tailings song, here is what you will find. The guitar playing some sort of pretty, reserved chord arpeggios with lots of reverb, the drums playing something interesting and different while still holding it down, and the bass acting as a anchor with heavy hitting straight away basslines that only so often deviate into lines. I liken the vocals to Sinaloa and that sort of shouty real "screamo" style of singing. Safe to say I LOVE this band and was very sad that they were calling it quits. Even though I think the members were skeptical when I told them. Oh well, they can believe whatever they want. I know how I felt watching them this last time and i know how I felt when I came home that night from their show and listened to this album. The recording quality of the album is okay. The whole thing was recorded pretty quickly a few days before their final show. I'm glad they recorded but am sort of disappointed that the recording isn't of higher quality. Just because with music like this, i enjoy hearing everything crystal clear. I was also bummed that they didn't rerecord all of the tracks from their demo. But these are just minor complaints of a fan. I'm definitely glad they recorded this stuff overall. There are 8 songs all together and only 3 recorded tracks that appeared on their demo. A few of the songs on the album even I was unfamiliar with. And I think I can say I've seen them live more than most (this is a band who's past shows can all be counted on one hand). So safe to say, definite pleasant surprises. And simultaneously, very heartbreaking. Hearing what a band created and where they were going musically is hard when you realize its suddenly over. I'm just glad I got to experience them while they were around and that they existed in the first place.


Sunday, October 18, 2009

Slingshot Dakota - Their Dreams Are Dead, But Ours Is The Golden Ghost!


I first heard of Slingshot Dakota years ago. My old band, Ladies & Everyone, played a show with them and the now Alternative Press approved, Polar Bear Club. It was a show that to this day has made me hate kids in the scene. It was very unattended. But if this same show was to happen today, it would be shit packed full. But i digress. At that point in time, slingshot was a 3 piece indie group on the lighter side. Except off course for their drummer Tom who seemed to try to hit his drums as hard a humanly possible. Stewart Copeland what? I enjoyed the band and ended up traveling to Oswego, NY to go see a free show they were playing with Damiera a few weeks later. The surprise came for me when i went up to say hi, and there guitarist was no where to be found. It turned out, and i still don't know all of the info behind the situation, he had suddenly quit the band. That show was interesting to say the least. Watching a band perform that was abruptly forced from a 3 to 2 piece without warning can be nothing but interesting. But they made their way through their set despite a lot of the songs feeling like they were missing something. I left the show feeling uncertain about the band and their future. And i was really bummed. I even told Carly I'd move to NYC and play guitar for them. I think she thought i was joking. haha. NOPE! Anyway, Slingshot Dakota did not break up. And they didn't get a new guitar player or any other musicians for the band. They decided to keep it just the two of them. I don't know when it was that I first saw them as a two piece, but i know i was blown away. They were fucking TIGHT! Jazz players would say they were "in the pocket." I was so glad they stuck it out because it seemed like they were able to get to a new level of comfort ability together musically that was/is awesome to see. “Their Dreams Are Dead, But Ours Is The Golden Ghost!" is the first album the band released as a two piece. And I love it. For those not in the know, Slingshot Dakota is a duo consisting of a drummer and keyboard player. Both of the members sing though Carly sings the majority. They play a brand of indie rock that is very heartfelt and passionate, while being very energetic and almost hardcore influenced at times with the crowd's participation. This is another time where my lack a knowledge leaves me scratching my head to who I would recommend this band for. Its so nice to have a "For fans of.." section. I am very bad at that if you havent noticed from past entries on here. I think another problem for me is, i don’t listen to any other duo's consisting drums and keyboards. I saw Mates Of State live and thought they were a fucking joke. So like i said, no comparisons. Personally, this album could be called "Soundtrack to a ongoing love affair" because my girlfriend and I tend to listen to it a lot when we are driving around going place to place. I took her to go see one of their concerts back in May and ever since, she’s been hooked. We are going to see them this upcoming Tuesday. Which is why I chose to write about this album. I’ve become quite found of the album since that May show because it’s one of the first things my girlfriend and I shared shortly after getting together. So yeah, fuck me because I write blogs with my heart. Haha. Just listen to the album. Its good, I swear.

Go and listen to some of their songs on their myspace
You can buy the album directly from them on their myspace page as well.

Wednesday, October 14, 2009

TUMBLR!

idk if i ever mentioned it on here, but awhile ago i started a tumblr blog. i had heard how the great the interface was and blah blah blah. initially, i had thought of switching this whole blog over to that, but after a short while of using tumblr, i realized it didn't have what i needed to do the same blog I do on there. (or i wasn't smart enough to do all the same things i am able to do on here, on there) but i kept the page. And where as this blog tends to go a while without updates, (i swear the reason for no write ups is that im still infatuated with Daïtro's Y album) I update my tumblr all the fucking time. Mostly with random shit I find. Movies, songs, pictures, whatever. So I'm not giving up on doing music reviews/recommendations on here. But if you get frustrated over the lack of updates, go to my tumblr page. I'm always posting some dumb shit over there. haha.

Friday, October 2, 2009

Daïtro - Y

Okay so listen, I've never done this before. First off, I don't think in my history of writing this blog (or listen to this once) have I covered two albums by the same band. And second, had I written about the same band more than once, I never would write about their albums this close to one another. But I am just too excited. Just last week I wrote about Daïtro's 2005 album "Laisser Vivre Les Squelettes." Briefly in that write up I mentioned that Daïtro was coming out with a new album that I was excited about. Well, that album is “Y.” And to say I’m excited is a major understatement. I bought the vinyl the other day. And honestly, thought I would have to wait till it arrived in the mail to hear it. Lucky for me it leaked. I’ve pretty much been listening to the album non stop since then. This album shows a change for the band. There are no song names and as I’ve mentioned, the album is just simply called “Y.” There isn’t anything out there as to why there seems to be such a minimalist approach to titles with this record. But I can only assume there is some meaning behind the band’s change. Don’t let those minor things scare you away. In a lot of ways, the lack of song titles makes a lot of sense. The album really does feel like the songs are all part of something greater. I don’t really know if this is on purpose. But I think there are a lot of reoccurring ideas musically that tie each song together. Musically, this album will not disappoint anyone who loves this band, or other French screamo bands. Everything they are known for is still there, with some new little things to interest you. Specifically, the inclusion of more singing. I really don’t want this to put anyone off. Since Daïtro have always been a genre bending/melding machine, I really don’t think it will put fans off to them. Basically because never on this album does it feel like they are overly trying to be different or forcing something new on the listener. It just sounds like Daïtro. A band that has matured over the years and honestly, has hit their fucking mark. The only thing I could see some fans disliking is the lack of longer songs. The longest song on “Y” clocks in at a little over 5 minutes. Being that this is their first full length release since "Laisser Vivre Les Squelettes" there is very little doubt in my mind that comparisons are going to occur between the two albums. Half of the songs on their previous album clock in at over the 5 minute mark. Their song structures and tendencies to have longer songs provoked much comparison to, or at least talk of inspiration from, post rock bands. I think I can explain some of the change in song lengths. Now maybe I’m completely wrong, and I’m just thrown off by the songs being so well connected musically, but It seems to me that the band is splitting up songs. I think that song VII(4:08)and VIII(1:40) could easily just be one song(5:48). The same could be said for songs V and VI (a combined time of 7 minutes and 19 seconds). But like I said, its just my opinion. And honestly, it doesn’t matter to me how long a song is as long as it is a good song. And well, every song on this album is good. Tracks II and VI are my personal faves. While I still hold "Laisser Vivre Les Squelettes" as their best album, “Y” is no slouch and is definitely on par with, if not better than, the amazing material they put on their split with Sed Non Satiata. Bottom line is, this is definitely one of my favorite albums to be released this year.

(Note: The album is only available on vinyl at the moment. These mp3's
were recorded from the record and you can tell. As soon as the CD is
released, I will up better mp3's)
If you like this album, you can buy it here.

Thursday, October 1, 2009

Harvey Danger - Where Have All The Merrymakers Gone?

I suppose that I could easily start a whole other series based off of albums like this one. This is Seattle sweethearts Harvey Danger's debut album. This album features the hit song "Flagpole Sitta". The song was featured all over the place and was a alternative radio rock hit in the late 90's. What's upsetting is that, as great as that song is, it overshadowed this album, and ultimately i would say, the band's career. They were viewed as a one hit wonder from that point on. And honestly, its true. The band is a one hit wonder. But you know what? Who the fuck needs hits? It took me awhile to give this album a honest listen. Probably because I was, and still tend to be, put off by radio rock bands. Often times they seem disposable to me. And I would rather listen to some rare obscure shit (that I cant talk to anyone about) than give that stuff a chance. I think the present state of radio and what is popular now makes me feel like a dick for ruling shit out back in the day. This album is great start to finish. And its really too bad that, for whatever reason, this band didn't continue in the limelight. There are other tracks on here that I feel like would've made even better singles. But I don't really understand how major record companies work with choosing singles and stuff like that. This is a great alternative rock album. You can sort of tell that this band is from Seattle based off of their sound. Though they have a quirkiness that seems more influenced by Black Francis (Frank Black, whatever hes calling himself now) and the Pixies. I just feel like, you should hear this album if you are a fan of 90's alternative rock. This album is weird in that, if you hate the single, you can still really enjoy the record AND if you enjoy the single you can still really enjoy the record. Rarely does that happen. I'm glad I got over my bullshit and gave it a honest listen. I hope you will do the same.

Buy it from a local independent record store if you like it

Tuesday, September 22, 2009

Daïtro - Laisser Vivre Les Squelettes


I have no clue how I came about finding this band. I went through a phase where "skramz", or real screamo, was my major cup of tea. I still do love a lot of the stuff I found at that time. Daïtro did a split with the amazing band Sed Non Satiata, and that is honestly probably where I first heard them. That album is amazing, and I suggest EVERYONE listen to it, BUT I really think, of what I've heard of them, this is their best release to date. They really shine. I love the straight up heavy nature of this band and how it is equally balanced with soft and beautiful parts. Their drummer is fucking outrageous and has a way of playing things that, while not on Neil Peart level of mind blowing, just sound so cool and different. Which is really a feat with bands of this nature. Keeping things feeling/sounding fresh. The band can go from full on heavy as shit to almost post rock-esc build ups and passages. Its really cool. Its often really beautiful. And usually really heavy. I love bands that are able to do that well. The opening/title track of this record is one of my faves. But at the same time, this record works so well as a whole. The French band just released a new record which I have yet to hear. So until then, I will listen to this album with heavy anticipation. Please listen to this band! For fans of screamy beautiful stuff.

Buy It If You Like It!

Monday, September 7, 2009

Oh, Canada (Part 8): Okara


I feel like it has been forever since I've posted a music recommendation on here. I guess I'm actually glad that life has been taking precedent over things like computer use. But anyways, I decided that as a return to the scene, if you will, I would FINALLY write about a band I've referenced numerous times in the ongoing "Oh, Canada" series I've been doing. Okara. Memory is such a strange thing. And I love that. I love that certain things tend to be connected to certain times and places in a person's life. I found Okara in a time in my life when I was continually searching for new music. And by new, I mean of course, new to me. For whatever reason, I got on a Canada kick. Honestly, it was probably because so many of the bands I was finding were truly spectacular. Independent record labels like Matlock Records and Blue Skies Turn Black turned me on to a lot of bands from Canada. Another label that helped me a great
deal in my search was Spectra Sonic Sound. I found the label in a completely backwards way. Matlock was probably the first of the Canadian labels I got really in depth with. Rockets Red Glare were one of the bands on that label that I really enjoyed. In reading, I found out that Gus and Evan of RRG used to play together in the band Blake. Blue Skies Turn Black was the label that put out the Blake full length LP, so that is what brought me to them. And then I heard about Spectra Sonic Sound because they were the label that put out a few Blake 7inch's as well as the Blake Discography CD. Whenever I found one of these labels, what I would do, is download tracks from all of their bands to see what I liked. Besides Blake, there were a lot of other great bands on SSS. There were the ex-Shotmaker bands Three Penny Opera & 30 Second Motion Picture. The sometimes post rock-y, sometimes straight indie rock, Kepler. And of course, Okara. The weird part about Okara was that they grew on me. I don't know if it was just me not getting them the first time through, or that I needed to hear more material, but I just remember that in my frame of mind at the time, I thought there was something very strange about the
band that I couldn't put my finger on. I remember sort of putting them to the side and checking out the other SSS roster before coming back to them. I'm so glad I did return to check them out more in depth. Okara is a band that as I heard more and more of their material, I fell harder and harder in love with them. The three piece hardcore/post hardcore band from Ottawa, Canada consisted of ex-members of the band Lockjaw. ( If anyone has a copy of ANYTHING Lockjaw recorded, could you for the love of god get it to me? I've been trying to get a hold of that stuff for years) Musically, Okara played a screamy, mathy brand of Canadian hardcore. Sort of like if Shotmaker got a little experimental with time signatures and guitar playing like Rodan. In a way, and this is apparent with my mentioning the band over and over again in this series, Okara set the standard for where Canadian post hardcore would go as a genre. As true as that is though, up until recently I had never heard of a band that sounded anything like them. The band Okara kind of sound similar to? Akarso. Okara existed in the mid 90's for what seems like a
short time. But in that time they inspired countless bands. In America, they are fairly unknown. Which is really sad because this is one of the best, most original bands I've heard from Canada.



Download Their First and Second EP's along with their split with Mothman here. (Note:included the Mothman portion of the split as well)



If you like the Months Like Years album, please buy a copy for yourself from Spectra Sonic Sound. Go here and buy the vinyl!

Monday, August 24, 2009

still...

hey guys. still here. no one really reads this anyway so its okay. i have a bunch of music i want to write about for this, and yet, i just haven't. life has been taking over time i would usually spend on here typing about whatever bullshit I think is good music. im looking into getting a netbook because alot of the time I feel inspired to write, I'm not at home at my computer. we will see if that ever happens. stick with me though.

Monday, August 3, 2009

Mouse On The Keys


I used to write music reviews/recommendations for a blog called Listen To This Once. The thing I really disliked about writing for the site was we were limited to writing short blurbs about the bands & albums we covered. This rule was made by the guy who started the blog (His blog, his rules). But a lot of times I thought the bands or albums deserved a lot more than that. I will admit that often times I was a rebel and purposely wrote more than I was supposed to based off of my beliefs. My dislike of curt writing was not only limited to bands and albums I wrote about though. From time to time things were covered by other contributors that I thought deserved more than what they got. Mouse On The Keys is a great example of that. Mouse On The Keys is from Japan. There is definitely something to be said for that. I went through a period where I really Really REALLY wanted to move to Japan. The first reason was because I was fat and lonely and I had heard that 1) Japan is a the sumo culture and over weight men are viewed as sex symbols over there (not to mention I tend to find Japanese school girls cute) and 2) They love King Crimson, Prog, Math Rock, Etc. I used to play in a math rock band so Japan was like the promise land. And a lot of great bands have come out of Japan. In fact, Mouse On The Keys are label mates with another amazing Japanese band, Toe. This duo, live a 3 piece, plays a hybrid of jazz fusion that sometimes teeters on the verge being plain proggy. I love it. This band has the ability to do so many things. Some songs are straight forward and more along the lines of traditional Jazz. But other times they are off the wall. Interwoven piano parts and drum lines that could be described as insane. Another layer to this outrageous "lasagna" of a band is their funk and groove based/influenced compositions. I honestly cant say enough good things about this band. Their first full length, An Anxious Object, came out last month and its outrageous. Which is really great because they set the standard with, what I considered, the hard to follow Sezession EP. Fans of Jazz, Nu-Jazz, Fusion, Funk, Prog, Hiromi, and pretty much everything in between take note. Hopefully they come to America so I can see this craziness in person and shit myself. Haha.

I have no clue whether of not you can purchase these in the US
BUT, if you like them, please try to buy them & support the band!

"最後の晩餐 (Saigo No Bansan)" From The Sezession EP

"Spectres De Mouse" From An Anxious Object



Wednesday, July 29, 2009

All Of Them Witches - Where's The Song?

Sometimes one of my biggest complaints with modern math rock, is that its too fucking busy. Too much B.S. with poly rhythms and other things that you have to be fairly knowledgeable with music to understand. Don't get me wrong I'm all for musicality. I just think there is also something to be said for being accessible. That having been said, I have to say that one of my main reasons for loving All Of Them Witches is specifically because they are busy. What? Yes that's right. Let me explain. Unlike alot of math rock bands that just stop sounding cohesive when they get really busy, All Of Them Witches always stay together. And unlike alot of these math bands out there, I can relate this to certain local acts & writers especially, the parts never feel like they are just thrown together. I hate that shit. This is the band's first release and it encompasses 10 tracks of awesomeness. Its very rare that you can find a new on the scene band so tight and so good, that can belt out songs, and all of the songs feel like they spent an eternity writing and getting solid. But once it is mentioned that guitarists Vic Lazar and Phil Freedenberg spent years playing together in the Buffalo, NY band Knife Crazy, it makes perfect sense how they are able to gel so perfectly. The set up is the same. Phil playing clean, tapping guitar lines for the majority. While Vic is wailing and sometimes using distortion and other effects to change the mood. Drummer Cameron Rogers is the odd man out in this equation, though you would never know that listening to the band. I will be honest, I had never heard of Cameron prior to hearing All Of Them Witches. So for me, hearing and seeing him play was like a slap to the face. The guy is a OUTRAGEOUS drummer. Zach Hill-esc drum fills, Lightning fast single footed kick work, and keeping everything together while simultaneously taking it apart and coming at it from new and different angles. One thing I really love about his playing is, as good as he is, he knows when to just lay back and just chill on the kit. There is something to be said for that, and honestly, it helps the band alot. I really love this band and I love this album. Phil was nice enough to give me a copy, and I am very grateful. I've been listening to it in the shower pretty much everyday. haha. As far as first releases go, this one is top notch above most. I hope the band will stay together and continue to put out more great music.

The album I got was a pre release. I didn't upload it because I'm sure the band has plans to release it in the future with some rad artwork and all that. For now, Please go to the band's myspace page. Add them, watch their videos, listen to their music.

Friday, July 24, 2009

True If Destroyed

So this is my first music blog entry since being back from tour. I had actually meant to post this before I left. But due to time restraints I was unable to do so. I thought this would be a good entry to leave on, but I think its probably just as good to come back with. Come back with a severe bang! That was what I felt the first time I saw this band. I was blown away. It was unexpected. The show they played was, for the most part, unmemorable. But when they played, mind blowing. This Philadelphia band played post hardcore in the vain of the greatest dischord bands. And they had that same intense energy of alot of those bands. It was alot like if Fugazi had a female vocalist who also played piano and guitar on occasion. I had the good enough fortune to be able to play a show with these guys. It was actually a amazing show that, for whatever reason, very few people attended. Sever The Hands, True If Destroyed, The Amateur Party and One Hundred Metronomes. Solid stuff. Anyway, years pass and memories stay strong. This band is still one of the best and most memorable out of town bands that played Syracuse in my opinion. Fans of the classic DC post hardcore sound take note.

Try to find these if you can!

Monday, July 6, 2009

The Tour Dates

Rejouissance Summer Tour:

July 9 – Bloomington, Indiana@ Greek Pizza*
July 10 – St Louis, Missouri@ The Lemp Arts Center*
July 11 – Wichita, Kansas@ Mayhaps Festival*
July 12 – Denver, Colorodo@ 3 Kings Tavern*
July 13 – Tucson, Arizona@ Red Room at Grill*
July 14 – San Diego, California@ The Soda Bar*
July 15 – Los Angeles, California@ Echo Curio*#
July 16 – San Francisco, California@ Thee Parkside*#
July 17 – Sacramento, California@ TBA*
July 18 – Portland, Oregon@ Laughing Horse Books*#
July 19 – Seattle, Washington@ TBA*
July 21 – Boise, Idaho@ Grandma's House
July 22 – Bismark, North Dakota @ TBA#
July 23 – Omaha, Nebraska @ TBA
July 24 – Chicago, Illinois @ TBA
July 25 – ??, Ohio @ ??

* W/
Red Tag Rummage Sale (Buffalo, NY)
# W/
Attica Attica (Portland, OR)


Obviously, some of these dates are not finalized. I don't know if they will ever be at this point. But its still a cool tour overall. I doubt anyone reads my blog from out of state, but if given some strange coincidence that you are from one of these places, COME ON OUT! its going to be a fun time.