Showing posts with label Skramz. Show all posts
Showing posts with label Skramz. Show all posts

Thursday, August 31, 2017

Chalk Hands – Burrows & Other Hideouts

Chalk Hands EP Sleeve R2 OL
note: before I get going with this I just want to say that I have not been paid in any way to give a favorable review of this release   

    One very cool , but infrequent, thing that has occurred in this blog's history would be submissions for review by outside artists. The idea that anyone would think I would enjoy their band is pretty awesome. And I really like the idea of being introduced to new music anyway . I've also lucked out that I've enjoyed what has been shown to me. (Umm hello? Damages much?)

    Chalk Hands are no exception. "Burrows & Other Hideouts" is the debut EP by this Brighton, UK screamo band. And once again, if you've followed this blog long enough, you will know that when I say screamo, I'm not talking about something you will see on a T-shirt at a Hot Topic. Chalk Hands play a style of the genre that is also known as skramz. A lot of people also refer to this as “real” screamo. Chalk Hands encompasses a lot of the genre staples. But not in a way that ever feels derivative. The semi-titular first track of the EP, "Burrows", opens with a guitar line that straight up feels like it could be a b-side off one of Envy’s more recent outings. Eventually, the song blasts ahead full force in a tune that, overall, feels more so like a pre-“Keep You” Pianos Become The Teeth. With some sweet Suis La Lune-esque guitar leads and "Enter" era Russian Circles tapping. Hell, parts of it even remind me of pre-“Smother” Frameworks songs. Tonally, the second song, "Arms", is a much darker sounding song musically. But at the same time, it has moments that are extremely triumphant and, honestly, beautiful. Its the stuff that hits home and resonates and makes you feel something inside yourself. The song's exploding "breakdown" leads right into a somber and quiet interlude. Only to jump back in with intense guitars & high energy drumming that bring to mind "Parting The Seas…" era Touché Amoré. You know, the good stuff. The vocals on the EP remind me somewhat of how Jordan Dreyer of La Dispute has and can sing at that band's most aggressive moments.

    Without being too over-the-top, I can definitely say that this is a awesome first release. I know that this review has a lot of band name checking . But that's honestly just for reference so you as the reader can grasp some idea of what these 2 tracks encompass musically. Do I think Chalk Hands sound exactly like all of the bands I mentioned in this review? No. But they have a lot of different elements from a lot of those very good and important bands. And they blend those elements together in a seamless way that makes the music their own. Like I said early on, they never feel like they're imitating. They feel musically like they are a peer to a lot of the bands that they remind me of and, potentially, draw influence from. And for a band that is newer and not a long-established act, I think that is quite a feat. I know that for me personally, I am sold. And I will continue to follow them & the music they release in the future.
Skramz for life yo.

Download & Listen To The Album Here

Saturday, May 22, 2010

Sed Non Satiata – Self Titled LP

sedLP
I randomly found this the other day. I had heard a tune from it a long while ago and knew that the band was coming out with it. But that was pretty much it. Hadn't heard anything about it. And idk, one night when I was really depressed, just randomly found it. And it was so awesome. Cause immediately, I went from being unbelievably sad and depressed to being crazy happy. Like, shouting. haha. Now, why is that? Well, I love Sed Non Satiata. Along with Daïtro, they are one of my favorite bands of the skramz/real screamo genre. They have this way of just being so heavy and and intense, and having musical movements that are just flat out beautiful. They and Daïtro are friends, have put out a split together, and i feel like drive one another to keep putting out awesome music. Last year, Daïtro came out with “Y.” And it is a absolutely awesome album. I have to admit that after it came out I did remember thinking to myself “Your move Sed Non Satiata.” hahaha. The last album they had released was their split with Daïtro. And their side of that record was really great. Their self titled record finds them expanding on their musical style. The LP’s opening song “Les Colonnes De Soie” is fucking amazing. And is probably one of the bands best. The album in general is really great. As has been my complaint with the band in the past, I just wish the album had more songs. But its hard with the French screamo. The stuff borders on post rock often. So long instrumental songs are often common place. This album’s 5 songs still equal the same amount of time you would expect from a band putting out a normal 11 song album. So yeah, I have to get over my bullshit and remember, quality NOT quantity. haha. The quality of this album is tops. And in a lot of ways, well worth the wait. Sed Non Satiata can write a fucking song! haha. I hope this isn't the last time we hear from Sed Non Satiata. Like I have said, they are one of my favorite bands. I can only hope that they and Daïtro tour the states together in support of their respective albums. That would be sweet! Please enjoy this record. Its quite good. :-D
Download The Album Here
Seek it out and buy it if you like it!

Friday, October 2, 2009

Daïtro - Y

Okay so listen, I've never done this before. First off, I don't think in my history of writing this blog (or listen to this once) have I covered two albums by the same band. And second, had I written about the same band more than once, I never would write about their albums this close to one another. But I am just too excited. Just last week I wrote about Daïtro's 2005 album "Laisser Vivre Les Squelettes." Briefly in that write up I mentioned that Daïtro was coming out with a new album that I was excited about. Well, that album is “Y.” And to say I’m excited is a major understatement. I bought the vinyl the other day. And honestly, thought I would have to wait till it arrived in the mail to hear it. Lucky for me it leaked. I’ve pretty much been listening to the album non stop since then. This album shows a change for the band. There are no song names and as I’ve mentioned, the album is just simply called “Y.” There isn’t anything out there as to why there seems to be such a minimalist approach to titles with this record. But I can only assume there is some meaning behind the band’s change. Don’t let those minor things scare you away. In a lot of ways, the lack of song titles makes a lot of sense. The album really does feel like the songs are all part of something greater. I don’t really know if this is on purpose. But I think there are a lot of reoccurring ideas musically that tie each song together. Musically, this album will not disappoint anyone who loves this band, or other French screamo bands. Everything they are known for is still there, with some new little things to interest you. Specifically, the inclusion of more singing. I really don’t want this to put anyone off. Since Daïtro have always been a genre bending/melding machine, I really don’t think it will put fans off to them. Basically because never on this album does it feel like they are overly trying to be different or forcing something new on the listener. It just sounds like Daïtro. A band that has matured over the years and honestly, has hit their fucking mark. The only thing I could see some fans disliking is the lack of longer songs. The longest song on “Y” clocks in at a little over 5 minutes. Being that this is their first full length release since "Laisser Vivre Les Squelettes" there is very little doubt in my mind that comparisons are going to occur between the two albums. Half of the songs on their previous album clock in at over the 5 minute mark. Their song structures and tendencies to have longer songs provoked much comparison to, or at least talk of inspiration from, post rock bands. I think I can explain some of the change in song lengths. Now maybe I’m completely wrong, and I’m just thrown off by the songs being so well connected musically, but It seems to me that the band is splitting up songs. I think that song VII(4:08)and VIII(1:40) could easily just be one song(5:48). The same could be said for songs V and VI (a combined time of 7 minutes and 19 seconds). But like I said, its just my opinion. And honestly, it doesn’t matter to me how long a song is as long as it is a good song. And well, every song on this album is good. Tracks II and VI are my personal faves. While I still hold "Laisser Vivre Les Squelettes" as their best album, “Y” is no slouch and is definitely on par with, if not better than, the amazing material they put on their split with Sed Non Satiata. Bottom line is, this is definitely one of my favorite albums to be released this year.

(Note: The album is only available on vinyl at the moment. These mp3's
were recorded from the record and you can tell. As soon as the CD is
released, I will up better mp3's)
If you like this album, you can buy it here.

Tuesday, September 22, 2009

Daïtro - Laisser Vivre Les Squelettes


I have no clue how I came about finding this band. I went through a phase where "skramz", or real screamo, was my major cup of tea. I still do love a lot of the stuff I found at that time. Daïtro did a split with the amazing band Sed Non Satiata, and that is honestly probably where I first heard them. That album is amazing, and I suggest EVERYONE listen to it, BUT I really think, of what I've heard of them, this is their best release to date. They really shine. I love the straight up heavy nature of this band and how it is equally balanced with soft and beautiful parts. Their drummer is fucking outrageous and has a way of playing things that, while not on Neil Peart level of mind blowing, just sound so cool and different. Which is really a feat with bands of this nature. Keeping things feeling/sounding fresh. The band can go from full on heavy as shit to almost post rock-esc build ups and passages. Its really cool. Its often really beautiful. And usually really heavy. I love bands that are able to do that well. The opening/title track of this record is one of my faves. But at the same time, this record works so well as a whole. The French band just released a new record which I have yet to hear. So until then, I will listen to this album with heavy anticipation. Please listen to this band! For fans of screamy beautiful stuff.

Buy It If You Like It!