Oh, Canada (Part 9): Damages - Scars

The situation leading up to this review was safe to say one of the more awesome things to happen to me since starting my own music blog. as i think a lot of you who read my blog know, i used to write for a blog called Listen To This Once. Well, one of the members of Damages must have been a follower of that blog because I got a message in my myspace inbox asking if i would like to review their latest 7inch for L.T.T.O. I was really excited. No one has ever asked me personally to review their album. Up until this point I’ve just written about bands and albums i just really love. But I was really excited at the possible opportunity. So I told Andrew, from Damages, that that blog no longer existed but that i would be more than happy to write about their EP on here. And they said that was fine. To quote Wayne Campbell, “Excellent!” Now as I said, I'd never heard Damages prior to their offer, but what is so rad is, they are definitely my type of band. Maybe that's why I was asked to review this in the first place. They knew from my track record that I’d love it. Damages hail from Vancouver, British Columbia. But what they sound like, they could easily be confused with something coming out of Ottawa. Maybe in the mid-nineties? Okay, what I’m getting at is that, to me, Damages sounds like a direct musical descendant from Okara, Shotmaker, and the like. And that is honestly a very great thing, because I love those bands. Quick rant. Alot of times really shit bands will list awesome bands as a influences. and you think to yourself the band “Fall Out Boy are a bunch of fucking liars.” Check out the list of influences Damages has listed on their myspace, and know that none of them are bullshit…“Shotmaker, The Jesus Lizard, Swiz, Black Flag, Yaphet Kotto, Unwound, Shellac, Fugazi, 400 Years, Brito, Portraits of Past, Render Useless, Still Life, Embrace, Dischord, SST, Ebullition, Touch and Go” I KNOW RIGHT?! Fucking awesome. The two song “Scars” 7inch is very energetic and heavy. Both of the songs are fast and driving. Side A’s “Gears” starts with screamed/yelled lyrics and fast/dissonant guitar chords. next thing you know the bass kicks in, and it continues from there. If I had to pick one element from this band that is most close to the Shotmaker/Okara comparison, it might be the bass work. The basslines on these two songs are totally awesome. All over the place doing crazy shit, straight forward and heavy when the guitar is doing more intricate lines. The guitar has that buzzsaw sound, and style that you could say was influenced from everything from Shellac to Drive Like Jehu to Fugazi. Like i said, their influences don't lie. “A Failing Cell” on Side B is kindred to the energy of “Gears” but as some more breakdown-y, head bobbing parts. (Hold your horses stupid money grabbing jock hardcore kid. I think the Hatebreed concert is down the street.) It also contains more riff’s, which usually coincide with the aforementioned “breakdowns.” The song soon builds and builds till it hits a point at the end where its like it keeps hitting you in the face repeatedly. This is a good thing. This band is a good band. This EP is a excellent EP. I recommend anyone who is a fan of the brand of canadian post hardcore/mathy emocore/ hardcore/etc. DEFINITELY check this band out. I really love what they are doing musically and hope they continue forward releasing more awesome music. Many thanks to Damages for letting me review their EP!

Listen To Scars Here

Buy The Scars 7inch Here

Oh, Canada (Part 7): Blake

Its sort of strange how I attacked this "series" from the get go. Really, I should've attempted to go at it in a chronological order. I just had a really hard time doing that for whatever reason. But I'm going to attempt to at least right one wrong, if you will. I've made reference to this band over and over again in the past. And after each time I would make a reference, I would think "I really should've written about them already." Especially considering that Evan Clarke started in this band and he is sort of a personal musical hero of mine. Its also important to note that their drummer was one Gus Weinkauf, who went on to start Rockets Red Glare with Evan later in band life. I love the music Blake created. Its young. And like youth, sometimes its aggressive, and other times its mellow. They followed suit with the style of canadian hardcore that Shotmaker played, but expanded further taking influence from Okara (who I also still need to write about in this series). The band could be tagged with the "math" label I suppose. Its funny, I hate throwing that term around certain times, even when it fits. Lets just say, when I say math in reference to Blake, its not relating them to Tera Melos or Giraffes? Giraffes!, its relating them to the original trinity. Slint, Chavez and Polvo. Musically, they dont share much with any those bands. But their concept of mathy music fits much better with what those original bands created. Do you like canadian emo bands from the 90's? Well, if so, you may already know of Blake. If not, give them a listen. For fans of all good DC post hardcore and all Canadain & Virginia screamy hardcore-ish stuff.

Download Their Discography Here

Buy it here if you like it

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The Red Robot

I don't exactly know how to start this off. Maybe just a history lesson of sorts. I used to be in the Syracuse NY band Amorous Radio. I wont get into much about that band. I will say that I was not a original member. The band existed for at least a year before I joined. Amorous Radio's drummer Anthony (who I went on to start Ladies & Everyone, Kaihoro, & One Hundred Metronomes with and who also played in Know Nothing & Cancer and now plays in Tailings. You've probably heard me mention him before.) told me stories about their US tour. (Besides being blacklisted by the Syracuse music scene, that band really did do things ahead of their time. Especially for the genre of music they played. A whole US tour before This Afternoon OR Long Since Forgotten, their supposed local musical peers, ever dreamed of doing such a thing.) On that tour Anthony met Mat Calderon who if i remember correctly was playing in the band Hand Over Fist at the time. Through the years, Mat and Anthony kept in touch, and it was later that i heard of The Red Robot through Anthony. In typical Anthony fashion, he talked the band up so much that, to be completely honest, i got sick of hearing about them. He eventually showed me some songs by them. They were early tracks but they were good. But i think Anthony always resented me because my immediate reaction wasn't one of shitting my pants. (I will say, as Ive said many times in the past, if a band is hyped to me on a constant basis, chances are, I'm going to judge them pretty hard.) But one thing was sure to me after listening to the tracks, I liked the band and was going to follow them. And I did. Their sound is the kind of thing i like, and it would be a surprise to anyone who knows me. Ian MacKaye-esc sounding vocals. Music that is definitely influenced by Fugazi, but could also be compared to At The Drive-In, Drive Like Jehu, and at times even Faraquet. Recently The Red Robot broke up. Which has left me heartbroken. I never got a chance to see them. Too my knowledge, they never did tour outside of their immediate area. Which is sad. I think about them playing DC and other places and killing. Early videos of them showed that they had a large following. And just personally, their videos reminded me of Bad Cops shows from when the Syracuse scene was in its prime. Crowd singing along, everyone smiling and having a great time. And its just so awesome when you see that happening at shows and to bands that aren't meathead hardcore or dumb MTV2/Fuse mallcore. I'll continue to follow the members new bands, but The Red Robot will always mean alot to me and hold a special place in my heart. I highly suggest everyone giving them a listen.

Self Titled (I included the songs "Modern Living" & "Wrangler Butts" in this download.  They may be from the Grun-Tu-Molani EP that I've never been able to get a copy of. These two songs are the songs Anthony showed me all those years ago. You can get a actual copy of the album here. If you're in Syracuse, you might also be able to get one from Anthony. I know he had some copies not that long ago.)

Memory (Their last album. Only released online.)

Drive Like Jehu - Yank Crime

I've been listening to this album ALOT lately.

Its funny how you can hear about a band over and over again, and never check them out. I have no real reason why it took me so long to listen to Drive Like Jehu. Their name would constantly pop up in my “music quests.” They were compared to lots and lots of bands that I like. And for some reason, it was only last year that I heard them. YES, LET THE CRUCIFIXION COME! Haha.

The band only released two albums. “Yank Crime” was their second. I think a lot of people, myself included, view this as the better album. Which is strange because it was a major label release. And as a lot of people know, often times when a indie band gets signed to a major, they change. And usually not for the better. Somehow, this album is even more aggressive than their first album. Taking all things into consideration, this is quite a feat. Their intense energy is constant through the entire album. Whether it be in the slower song “Luau” or the album’s opening track “Here Come The Rome Plows”. Rick Froberg & John Reis’s guitar interplay set a new standard for the post hardcore genre. Its right up there with Guy and Ian of Fugazi if you ask me. “Do You Compute?” might be one of the best examples of this on the Yank Crime album. Its not hard to see why Drive Like Jehu are/were cited at a big influence on the then emerging “emo” scene. There are a lot of elements from the music on this album that reappear in later “emo” releases, as well as post hardcore albums. Its great that such a short lived band could have such wide spread influence. Its just a bummer that they were so short lived in the first place.

Download The Album Here

Please buy it if you like it!