Cougars - Pillow Talk

Ska. Its a four letter word to most of the kids that i know in the underground scene. This is usually not based off of where the style of music originally came from. It seems like with alot of genres, there is the real version of the genre, and some later bullshit being mislabelled. Emo is a good example. Ska is another. The original ska out of Jamaica represents very little of what would later be considered "ska" in bands like Save Ferris, Real Big Fish and all the other crap that was around at the same time, or went on to be influenced by said bands. (I actually enjoy some of the 70's and 80's British ska, so i wont attack that) Now, knowing this, I've purposely distanced myself from anything called ska or anything similar to this style of music. But every once in awhile something will sneak in unexpectedly and surprise. The first time I heard Cougars, I had no clue they contained ex members of a ska bands. Though it could be suspected due to them having a horn section, that was the end of any sort of comparison. I had heard of them because their drummer played in one of my favorite bands, the ex-Lynx/ex-Sweep The Leg Johnny powerhouse Check Engine. Being that Check Engine had a sax player, i wasn't really surprised by the horn section in Cougars. Call that limited, call it what you will. Now the musical styling of Cougars is completely different from Check Engine, and it has no resemblance to ska whatever. The band is a Chicago band. I know its unintelligent to say, but i think just listening to them, you can tell. It doesn't hurt that this album was recorded by Steve Albini. The band plays a style of rock that works quite well with Albini's style of recording. Big drums, powerful bass, angular guitars, and gruffy pissed off vocals. The band always stays on the cusp of straight forward hard hitting rock and Chicago math rock through out this whole album. I really love the horn section's role within this band. Its not too often that you find a horn section playing in a band that isn't a ska band. And I personally think its so cool to hear a horn section in what is a essentially a Chicago math rock band. It works and is refreshing. Here's a dumb, but also funny statement.

Cougars: The Albini Chicago Transit Authority.

Fight me.

Download The Album Here

Buy it if you like it

Shellac - 1000 Hurts

I've been listening to this album alot lately. so much so, that i brought it in my mom's car and made her listen to it. haha. To me, Shellac is what the Chicago sound is. Just like Fugazi will forever be D.C. to me, the same goes for Shellac. Granted, they really only apply to the post hardcore genre. Cause like, Tortoise is Chicago to me, but Post Rock. haha. Well anyway, I'll quit my blabbering. I love this album. Alot of people rate it lower than "At Action Park" which I'll never understand. I think they are AT LEAST equals. Though I personally would rate this higher. "Prayer To God", "Squirrel Song", and "Watch Song" are my favorites. I just really like it beginning to end.

Download The Album Here

Please buy this record if you like it. 

Support Independent Music!

Slint - Spiderland

preface: Touch & Go Records is one of the most important labels in underground history. They are right up there with Dischord. I had quite the scare today when I read that they were pretty much going to cease to exist as a record label. I literally shouted “NO!” when I read it. That ended up not being true (turns out that they are going to be cutting their distribution of other labels records, which is still a big deal) but it just made me realize how important the label was to me. So today I decided to post one of my favorite records the label has put out.

I'm not going to go too much into this album. Slint were one of the first "math rock" bands, along with Chavez and Polvo. The genre has changed alot since then. Initially it was more related to post rock, which you can hear on this album. Angular quiet/loud guitar parts. Speaking/screaming lyrics. Changing/shifting time signatures. Great album.

-matthew st.

Download The Album Here

Buy it from a independent record store if you like it

Or better yet, get it directly from Touch & Go's Online Store

Please support the Touch & Go Record Label

Uzeda - Different Section Wires

Italian. Way Awesome. End review. Haha. Just kidding. 

I first started listening to this band back in the early 00’s. I couldn’t find anyone locally who listened to them or had even heard of them. And believe me I asked the people you’d think to ask (ex. Grant J.). I just wanted someone to talk about how awesome I thought they were. The band falls somewhere in between the genres of math rock, noise rock, post hardcore, maybe even post punk. Hard hitting drums. A more noodlely/riffy Shellac guitar sound. Solid pounding basslines. All the while with lyrics/poetry being shouted over in a discordant way. Its not really a surprise that Albini has recorded the majority of this bands releases. This is probably my favorite of their albums. If you like Shellac or Touch & Go, you need to hear this.

-matthew st. 

Download The Album Here

Buy it from a independent record store if you like it

Or you can get it online from Touch & Go's Website

(disclaimer: it has been brought to my attention that Touch & Go has a history of killing uploads of their albums. try to get this album before they kill the link.  if you find the link dead, report it to me. like i said above, if you like the album, support the band and the label and buy it!)