Showing posts with label Us Vs. Them. Show all posts
Showing posts with label Us Vs. Them. Show all posts

Thursday, October 22, 2009

Tailings - Self Titled


I wrote about Tailings when they first came out (Well, at least when their demo recordings first made their way onto the interwebs) so I find it in special interest to cover their first, and what will be, their only album. I enjoyed Tailings. I consider all of the members of the band to be my friends and I've actually been in musical projects with 2/3 of them. I'll get right into it. I think what Tailings did musically for the scene of Syracuse, NY was very important. But sadly, i think it went unnoticed for the most part. Syracuse is a very big hardcore/metal town. fast beat. breakdown. chug chug. sXe. militant animal rights. "EARTH CRISIS!!!" etc. This is what our underground scene is based off of. And no matter how many bands come out of our scene that DO NOT conform to that standard, and try their hardest to do something else musically that ISN'T hardcore or any sort of core, it doesn't seem to change anything. Tailings were the one of the only indie bands in recent times in Syracuse, and i think historically they are the ONLY indie band to come out of Syracuse to play music in that style. Their music, for me, is reminiscent of bands like June Of 44 (and other ex-Hoover & Rodan "post rock" bands) while the guitar also has a lot of influence from more "pretty" guitar oriented indie bands like American Football and Sharks Keep Moving. Overall, the band's style screams a Chicago/DC bone session. In any given Tailings song, here is what you will find. The guitar playing some sort of pretty, reserved chord arpeggios with lots of reverb, the drums playing something interesting and different while still holding it down, and the bass acting as a anchor with heavy hitting straight away basslines that only so often deviate into lines. I liken the vocals to Sinaloa and that sort of shouty real "screamo" style of singing. Safe to say I LOVE this band and was very sad that they were calling it quits. Even though I think the members were skeptical when I told them. Oh well, they can believe whatever they want. I know how I felt watching them this last time and i know how I felt when I came home that night from their show and listened to this album. The recording quality of the album is okay. The whole thing was recorded pretty quickly a few days before their final show. I'm glad they recorded but am sort of disappointed that the recording isn't of higher quality. Just because with music like this, i enjoy hearing everything crystal clear. I was also bummed that they didn't rerecord all of the tracks from their demo. But these are just minor complaints of a fan. I'm definitely glad they recorded this stuff overall. There are 8 songs all together and only 3 recorded tracks that appeared on their demo. A few of the songs on the album even I was unfamiliar with. And I think I can say I've seen them live more than most (this is a band who's past shows can all be counted on one hand). So safe to say, definite pleasant surprises. And simultaneously, very heartbreaking. Hearing what a band created and where they were going musically is hard when you realize its suddenly over. I'm just glad I got to experience them while they were around and that they existed in the first place.


Saturday, June 13, 2009

Awake/Sever The Hands


Somewhere in life I've realized something tragic. And honestly, I don't know if this is a general truth, or just something that relates to me and my life. But often times, the bands that are the most important to me, go unnoticed. Either unnoticed or they don't reach their potential. Tamiroff, The Newlywed Intercoastal, Bad Cops, Knife Crazy, etc. Awake/Sever The Hands is in this list, if not right at the top. The first time I got word of this band was after a show Bad Cops, Ladies & Everyone and The Mandate Of Heaven played the day before Halloween. It was 2004 I believe. We were walking from the Westcott down to Munjed's and I was talking to Jim. In the conversation he mentioned his new band and ended up giving me a link to their website. I really liked Awake. It was cool to hear Jim doing music in Brooklyn. And it was cool music. A mathy screamy post hardcore type band. Definitely not like just another Bad Cops. Awake eventually ended up playing a show armory square, downtown at a bar (i cant remember the bar's name) that very few people went to. But i was there and I loved them. At the same time i started playing in the band One Hundred Metronomes. We played a bunch of shows with Awake. Later they changed their name to Sever The Hands. One Hundred Metronomes eventually went on indefinite hiatus, but L&E continued the band relationship up until the band broke up. The members went on to do more bands. Jim and Damian did Monolith with Bad Cops bassist Jon Peters while John did his solo project Explorer, Conquerer (eventually changing the name and becmoming known as Weightlessness). Monolith broke up because of distance issues. Jim got really into his solo project Rejouissance, Damian moved away and John continued with Weightlessness. Nowadays, Jim is still doing Rejouissance along with some other projects. Damian moved back to Syracuse and started the band Tailings. And John got married, though I'm sure he continues to make music. I guess what I'm trying to say is, time goes on and on, and this band is still important to me after all these years. They bring to mind a time in my life when things weren't that terrible. When things were fun and bands that were good musically were friends and played shows with one another. I'll never forget Sever The Hands. And I'll never understand why they never got the recognition and respect they deserved as a band. My only hope is that I can show Sever The Hands to people now, and have them enjoy the band. Here is everything they recorded...




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